But yeah, music is all mathematics. You may not realise, but generally, music won't sound symmetric and balanced unless all measures have some sort of proportion in the sections.
That's quite true, and one reason why pretentious math-rockers bug the !@#$% out of me. We get it; you want to make quadratic song structure just to be unique. I know some "math rock" sounds good, but it's usually when the structure makes a relative amount of sense.
There's so much math too in harmonies, I'd like to hear some interesting applications of "magic numbers" or number series into harmony.
tl;dr,
...
Excellent article, too.
Eheh.
It's not really a new concept, classical musicians have used it quite a bit and like the article says, you can probably find the same sort of thing in a lot of popular music today.
In fact I decided to test the golden segments theory on a game soundtrack that I wrote.. 2 songs in particular come
very close to having significant points right at the 0.618 mark. (Co?)incidentally they're the 2 songs that most people thought were the best on the soundtrack!
